Europe, as we know it today is a modern construction. After two world wars, accompanied by destruction, expulsion and annihilation, it has yet to deliver on its promise of democracy, undivided human rights and social justice. There is hardly any other instance in which this is as visible as in the realities of the Roma and Sinti. Their trajectory over centuries, marked by marginalization and persecution, has yet to be reversed even as institutions for all of this Europe are being created. Racially motivated attacks and diatribes are part of everyday life in many EU member states - a phenomenon described so aptly by Giorgio Agamben as a state of exception in his book Homer sacer.
This terrain is certainly treacherous – and it remains invariably difficult for the Roma and Sinti to overcome the patterns of perception that prevail in the majority societies, while general stereotypes are still being reinforced by scientific disciplines. To this day, culture and media draw from this with a pseudo-folkloristic romantization always joined by ideas of elimination – as the backside of the same medal. The trivial romanticism of “gypsy music”, flamenco and other exoticisms distorts the reality of Roma and Sinti life to the point of non-recognition, relegating it to the margins of society.
With its markings, Romanistan speaks about a Europe that should not be left to the rule of a state of exception. The continuity of invisibility, exclusion and persecution requires effective ruptures. The confrontation demands a strategic stamina, giving the Roma and Sinti the necessary space to negotiate their own position. Today’s Europe may be impassable but it is certainly not cast in stone…

With contributions by:
Pedro Aguilera Cortés, Katalin Bársony, Aylin Basaran, Ljubomir Bratić, Hamze Bytyci, Markus End, Gilda-Nancy Horvath, Marty Huber, Almir Ibrić, Patricia Köstring, Anna Mirga, Radostina Patulova, André J. Raatzsch, Simone Schönett, Erika Thurner